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Sunday, 15 March 2015

PDP Interview #1 with Jellie Bee

I first discovered Jellie Bee via her YouTube channel after buying some of her artwork I had the pleasure of meeting her at Japan Day 2014 in Manchester. Since Jellie Bee is influenced by very similar things to me I thought she would be interesting to interview.



1. You're work looks anime/cartoon influenced; did standing out from the crowd ever cross your mind when you were developing your style?

Actually, when developing my work, I actually wanted to have my work look more like everyone elses, particularly successful artists. However, people started to compliment me on the fact my work was really recognisable to them and that's when I realised being myself was easier and better all along.

One of Jellie Bee's digital paintings, she often does these on a single layer.


2.When did you start selling your artwork and how long did it take you to build a steady amount of people who buy your work?

I started selling my artwork on stickers from around early 2010 and it picked up quite quickly. I started my own online store in 2011 but it took until 2013 for it to become a lot more steady. Convention selling has kept the interest in my online store going strong.

 3.What is the most interesting medium and/or canvas you have ever worked on?

My absolute favourite canvas is the sketchbooks that I customise. There's a real sense of achievement when I've finished one, because it's original art, but also a useable product. I find it interesting every time, as they always come out more special than I expected.

One of Jellie Bee's custom sketchbooks she sells on storenvy, she sells some pre-made and is often commissioned to do custom designs. 


4. What are your favourite artists? Have they influenced your style?

Massively so. My favourite artists are Lois van Baale (Loish); Marc Brunet (bluefley/Cube Brush); Mary Blair and Victoria Ying.
Each one has inspired me in different ways: Loish represents the skill levels I've always wanted to reach; Marc Brunet's techniques have always pushed me, his tutorials improve me in a way no-one else's ever have. Both of these artists pushed me to try single-layer painting, colour experimentation and portraiture and even though my painting skills are lightyears away, they've helped form who I am today with my digital art.
Mary Blair and Victoria Ying represent the illustrative side to my work, the side I find more relaxing and easier, but also the side I tend to criticise more.



 5. Do you feel your style is still developing?
Oh, always. I had a funny conversation with someone in a livestream recently, who said they felt comfortable with their digital style after only two weeks of experimentation. I said that it's taken me 9 years to become comfortable with my approach and to have more pride in my work. I started in Dec 2005 and it wasn't until Dec 2014 that I really felt connected. It will always develop, because I'm always torn between sticking to one style - painting, or illustrative?
Not only that, but I also like to practice with sumi-e and ukiyo-e style art a lot, so there's a third style I like to do. It's so confusing sometimes, but I'm happy right now with the progress I'm making. I'm just excited to see how I improve over the course of my life!



Want to check out Jellie Bee for yourself?
Here are some of the places you can find her.

Art Facebook Page

Business Facebook Page

Storenvy

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