This blog follows the artwork of RaelDanger and the concepts, inspirations and ideas behind her work.
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Saturday, 23 April 2016
Final show considerations
Sunday, 15 March 2015
PDP Interview #1 with Jellie Bee
1. You're work looks anime/cartoon influenced; did standing out from the crowd ever cross your mind when you were developing your style?
Actually, when developing my work, I actually wanted to have my work look more like everyone elses, particularly successful artists. However, people started to compliment me on the fact my work was really recognisable to them and that's when I realised being myself was easier and better all along.
2.When did you start selling your artwork and how long did it take you to build a steady amount of people who buy your work?
I started selling my artwork on stickers from around early 2010 and it picked up quite quickly. I started my own online store in 2011 but it took until 2013 for it to become a lot more steady. Convention selling has kept the interest in my online store going strong.
3.What is the most interesting medium and/or canvas you have ever worked on?
My absolute favourite canvas is the sketchbooks that I customise. There's a real sense of achievement when I've finished one, because it's original art, but also a useable product. I find it interesting every time, as they always come out more special than I expected.
4. What are your favourite artists? Have they influenced your style?
Massively so. My favourite artists are Lois van Baale (Loish); Marc Brunet (bluefley/Cube Brush); Mary Blair and Victoria Ying.
Each one has inspired me in different ways: Loish represents the skill levels I've always wanted to reach; Marc Brunet's techniques have always pushed me, his tutorials improve me in a way no-one else's ever have. Both of these artists pushed me to try single-layer painting, colour experimentation and portraiture and even though my painting skills are lightyears away, they've helped form who I am today with my digital art.
Mary Blair and Victoria Ying represent the illustrative side to my work, the side I find more relaxing and easier, but also the side I tend to criticise more.
5. Do you feel your style is still developing?
Oh, always. I had a funny conversation with someone in a livestream recently, who said they felt comfortable with their digital style after only two weeks of experimentation. I said that it's taken me 9 years to become comfortable with my approach and to have more pride in my work. I started in Dec 2005 and it wasn't until Dec 2014 that I really felt connected. It will always develop, because I'm always torn between sticking to one style - painting, or illustrative?
Not only that, but I also like to practice with sumi-e and ukiyo-e style art a lot, so there's a third style I like to do. It's so confusing sometimes, but I'm happy right now with the progress I'm making. I'm just excited to see how I improve over the course of my life!
Monday, 1 December 2014
Looking forward
Recently I have been wondering if markets really are a good platform for selling my artwork. And after a market I had on Saturday, I have decided I should try and sell my work primarily online.
After observing the visitors that look at my stall I have come to the conclusion my artwork is rather niche. And that niche is not present where I am currently doing my stalls.
I think etsy is the best way to go, I know that I am the kind of person who would buy my work. I regularly comb through etsy I think my work would have a better chance at being seen and bought. Since I do a lot of one off pieces my work would still stand out and have appeal.
As for my offline revenue I would like to gear more towards conventions such as Doki Doki, Japan day and MCM Manchester. These will cost me more than my average pitch BUT I think I would do a lot better at those kinds of events, and with less events to worry about it leaves more time for my uni work. Not to mention how many people have told me that my target audience is much more abundant at conventions.
At the moment I have too much to sell and not enough like minded people to sell it to.
So my plan is
-Set up my etsy
-Get my head around shipping prices (maybe only ship within the UK at first)
-List the things I already have before making more artwork
In the future I need to look at
-registering as a small business
-getting a website
-making an online portfolio
-branding
Monday, 7 July 2014
AVDWT Progress and Inspiration 7th of May
Fisheye Placebo Webcomic
The Love Parcel
www.bobsmade.com
Axent Wear
Friday, 27 June 2014
My Artwork and Inspiration
Sunday, 22 June 2014
My Experience at Headlander Festival
This is the first stall I have done were the money I have made went into double figures. I earned £26 over seven items.
My first customer came quite early on at about half one (we started trading at twelve). In total we had five customers. Most wanted to know if I was going to be doing the market today or if I was going to be selling my artwork at comicon. I have concidered trading at comicon's before but I never ended up going through with it. But I'm going to look into trading at Doki Doki which is held in Manchester every two years I believe. A few people told me they had seen worse artwork being sold at bigger comicon's like Mcm, complements like that gave me quiet a ego boost.
As for the stall today I didn't realize people could do both days but I'm glad I only chose to do the one since it was a long day and chances were I would be on my own on the second day.
But here are some pictures of my stall.
Friday, 20 June 2014
Tips for holding a stall
Tips for holding a stall and selling your own artwork
1.Presentation is key
Have key pieces even if you are selling them for a high price display them it'll draw in customers, potential clients and contacts.
Having different levels plays a big role in making your stall visually interesting, potential customers will take more time to look than if you have everything on one level. To achieve different levels use box's of varying sizes and put them under your table cloth, if your selling canvases invest in some cheap easels I got mine from here the works.
An easy way to add interest is to have a table cloth that stands out in the pictures below all I'm using is some curtains but they stand out from the rest of the stalls that have a plain Jane black table cloth.
Also make sure you properly label your products, people don't like to ask about prices so try not to make them ask.












