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Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Thursday, 30 April 2015

PDP Interview #3 with Jenni Illustrations

Interview with Jenni Illustrations


Jenni is an artist from Australia, I aspire to be as successful as she is. She sell's her work on clothes, posters, playing cards, stickers and the list goes on. I chose to interview her because she is very much inspired by the same things I am and despite the common interests our styles are very different.

Q1. I can see a definite anime/manga influence in your artwork is there anything else that inspires how you work? I think seeing other artist with the same style influence me. Anything cute and colourful/bright. Living and having kawaii things also influence me and my work.


Q2. What advice would you give someone who wants to sell their work at conventions/events? Having motivation and passion for your work is something you need. Loving your work and making other people love your work is another. Also knowing what people really like is something to think about. eg, whats your target audience? what will they be attracted to


Q3. If you could experiment with any medium you want what medium would you choose? I like pen work and watercolour. I always draw digitally but there's times I just want to get away from the computer and free myself with some traditional mediums. 


Q4. Do you prefer having lots of little projects on the go or one big project? I like either really. sometimes mostly my little projects is really related to my big project. eg: my original character in diff drawings(small project) while big projects is like having them on clothes, products, animation.


Q5. Do you ever have problems with motivation, if so how do you keep yourself motivated? I do a lot of the time. (I'm sure no one can tell) haha. I get a lot of inspiration from looking at things. everyday life around me, music I listen to ( every day, all day till night I listen to music) keeps me sane lol Having you guys ( my followers and friends) who enjoys my drawings keeps me motivated. who cares about my work. who wants to share my work/talk about me all over the world is one thing I really appreciate keeps me going =]



Find more of her work here

Monday, 27 April 2015

Difficulty getting interviews

I have lost count of the amount of artists I have tried to contact just to name a few who have not replied Erik Jones, Glenn Arthur and Camilla D'errico who said she would answer my questions and never got back then I contacted an artist I have bought artwork form before called Destiny Blue  and this is what I got back.


Any responses other than answering my questions was pointing me towards a previously done Q&A or an FAQ.

Also a lot of artists I wanted to contact didn't have a contact email that I could find and on there facebook pages had taken off the option to inbox them. I am starting to feel very apprehensive about if I will get my final interview and if they interviews I have done will be seen as being suitable. I have tried my best in interview people who's work inspires me but they seem quite hard to get a hold of. 

Sunday, 19 April 2015

PDP interview #2 Liara K Crane

Interview with Liara K Crane


I was recommended Liara K Crane's work by a friend of mine after looking at her artwork I saw she was doing things that I really want to do, like selling my artwork online and working on comics.

Q1.What inspires your work; do you actively pursue standing out from the crowed with your art style?

A1. I would say that my work is chiefly inspired by my desire to tell stories. I have a catalogue of future personal projects and original characters whose stories I hope to finally share. Narrative is very important to me. What I try to do with my art is prove wrong the teachers I had for 99% of my academic life. All through my childhood I had art teachers saying ‘it’s nice but anime is unoriginal and you won’t get anywhere unless you change your style.’ It wasn’t until I studied art in japan that I truly saw how different my style was, and how it was far more a marriage between the West and the East. Q2. Do you sell your work at any events or are you mostly online based?

A2. At the moment I am exclusively online however now that my finances are looking a little brighter I am putting time and money into developing stock to sell at future conventions. Q3. Any legal procedures you need to know before you start selling your work?

A3. As an illustrator I think the most important thing you need to know in regards to the law is copyright (and as a fan-artist you need to realise the fire you are playing with if selling your work.) Q4. What do you prefer long ambitious projects or lots of short projects?

A4. I like either short projects or longer projects made from shorter parts. I could never paint photo realism as a career or paint anything too large and ambitious because it would just take too damn long and I confess I’ve a limited attention span (especially as my favourite part of the whole creative process is the drawing!) I am looking forward to doing some comic work in the future. Q5. If you were to give someone who was thinking about selling their artwork one piece of advice you wish you had known when you started what would it be?

A5. As briefly mentioned earlier, it’s good to know where you stand in regards to intellectual copyright, as well as the terms and conditions of selling at places like conventions and etsy.


Check out her work here
www.facebook.com/LiaraKCraneIllustration

Sunday, 15 March 2015

PDP Interview #1 with Jellie Bee

I first discovered Jellie Bee via her YouTube channel after buying some of her artwork I had the pleasure of meeting her at Japan Day 2014 in Manchester. Since Jellie Bee is influenced by very similar things to me I thought she would be interesting to interview.



1. You're work looks anime/cartoon influenced; did standing out from the crowd ever cross your mind when you were developing your style?

Actually, when developing my work, I actually wanted to have my work look more like everyone elses, particularly successful artists. However, people started to compliment me on the fact my work was really recognisable to them and that's when I realised being myself was easier and better all along.

One of Jellie Bee's digital paintings, she often does these on a single layer.


2.When did you start selling your artwork and how long did it take you to build a steady amount of people who buy your work?

I started selling my artwork on stickers from around early 2010 and it picked up quite quickly. I started my own online store in 2011 but it took until 2013 for it to become a lot more steady. Convention selling has kept the interest in my online store going strong.

 3.What is the most interesting medium and/or canvas you have ever worked on?

My absolute favourite canvas is the sketchbooks that I customise. There's a real sense of achievement when I've finished one, because it's original art, but also a useable product. I find it interesting every time, as they always come out more special than I expected.

One of Jellie Bee's custom sketchbooks she sells on storenvy, she sells some pre-made and is often commissioned to do custom designs. 


4. What are your favourite artists? Have they influenced your style?

Massively so. My favourite artists are Lois van Baale (Loish); Marc Brunet (bluefley/Cube Brush); Mary Blair and Victoria Ying.
Each one has inspired me in different ways: Loish represents the skill levels I've always wanted to reach; Marc Brunet's techniques have always pushed me, his tutorials improve me in a way no-one else's ever have. Both of these artists pushed me to try single-layer painting, colour experimentation and portraiture and even though my painting skills are lightyears away, they've helped form who I am today with my digital art.
Mary Blair and Victoria Ying represent the illustrative side to my work, the side I find more relaxing and easier, but also the side I tend to criticise more.



 5. Do you feel your style is still developing?
Oh, always. I had a funny conversation with someone in a livestream recently, who said they felt comfortable with their digital style after only two weeks of experimentation. I said that it's taken me 9 years to become comfortable with my approach and to have more pride in my work. I started in Dec 2005 and it wasn't until Dec 2014 that I really felt connected. It will always develop, because I'm always torn between sticking to one style - painting, or illustrative?
Not only that, but I also like to practice with sumi-e and ukiyo-e style art a lot, so there's a third style I like to do. It's so confusing sometimes, but I'm happy right now with the progress I'm making. I'm just excited to see how I improve over the course of my life!



Want to check out Jellie Bee for yourself?
Here are some of the places you can find her.

Art Facebook Page

Business Facebook Page

Storenvy